Showing posts with label ambient. Show all posts
Showing posts with label ambient. Show all posts

Sunday, January 8, 2017

John Gregorius - “Still Voice” CD

Wonderful ambient guitar pop

Veteran guitar player and producer Gregorius has found his niche with this collection of melodic, ambient guitar works that generates a warm and pastoral existence, uncluttered by trends or genre. The opener, “Grounded In Mystery” is simply a beautiful and gentle wisp of soft harmonics and fleeting guitar. 

Gregorius’s songs are essentially heart-lifting soundtracks to films that don’t (yet) exist. His soft guitar melodies are placed simply atop beds of electronics and processed guitar, crafting an instrumental pillow of dreamily introspective ambient “pop”. “Benevolence” picks up a wafting rhythm, but remains a positive and reflective tone. “True Self” brings an almost droning post-rock, shoegaze vibe and works amazingly well. 

“Still Voice” is a lovely, heartfelt, and emotive album of gentle ambient guitar compositions that I very much appreciate after too much angry noise and cluttered sounds. It’s the perfect album to wind down to, and Gregarius is a highly skilled composer who I’d love to hear more from. Bravo!



Sunday, December 27, 2015

Chronotope Project - “Dawn Treader” CD

Lovely selection of exotic, diverse soundscapes

This is the first I’ve heard of Jeffrey Ericson Allen, whose Chronotope Project has been active for several years releasing evocative and often cinematic electronic music. “Dawn Treader”, inspired by the C.S. Lewis story, is an intensely visual and sometimes playful listening experience, with plenty of twists and turns. 

Opening with the percolating sequencer sounds of “Dawn Treader”, the music gives way to the languid and introspective track, “The Scent Of Evening Flowers”, which gradually works itself into a bleepy outer-space soundtrack. “Basho’s Journey” brings an Asian influence to the table, no doubt due to the prominent use of the traditionally-tuned 13-string Japanese koto. “Ocean Of Subtle Flames” is a spiritual journey, complete with light rhythms and flutes punctuating the otherwise fleeting ambient textures. “Canticle For The Stars” is a kind of space music/classical hybrid, with blippy synth sequences alongside electronic strings. “She Who Hears The Cries Of The World” brings it all together into a wonderful melange of exotic textures, fleeting melodies, and evocative world music-meets-ambient vibes. It’s a celebration of all things musical, artful, and worldly.


Chronotope Project

Saturday, November 14, 2015

Zero Ohms - “Process Of Being” CD

Quiet, minimalist ambience

Veteran ambient composer Richard Roberts is Zero Ohms, and his catalog goes back nearly 20 years with a deep selection of work both solo and in collaboration. “Process Of Being” examines Roberts’ realization that “Being is not a static state, It is not ‘becoming’ anything. It is a process, through which we each exist”. That in mind, the album begins with the ultra-hushed drones of “The Present Perfect Tense Of Being” — 14 minutes of barely-perceptible drones that set up this contemplative and subtle release of gentle, receding ambient music.

“Glimpsing The Eternal” brings flutes and a semblance of structure to the proceedings, though it’s still a minimal and fragile exercise in restraint and elegance. “The Dream Dreaming You” is another flute-led piece of fragility, with a singular string drone floating just overhead. 

On this album, Zero Ohms produce a very gradual and quiet set of evolving sound-sketches, echoing the ever-so-subtle motion in which we exist from moment-to-moment, second-to-second. As a concept, it’s fascinating, and as a recording, this is a fine work.


Zero Ohms Bandcamp

Monday, October 26, 2015

Phillip Wilkerson and Chris Russell - “Vague Traces” CD

Subtle ambient dreamscapes

Two ambient artists combine forces here for “Vague Traces”, a subtle and dreamlike album of lucid waking-dream textures and deliberately amorphous sound washes. The opener, “Far Past”, is a gauzy drone that summons hypnagogic states quite nicely, as does “The Diamond Sky”, which layers gentle wafts of gentle tones into a swirl of fragile sound-clouds. “Across The Sun” sounds almost more urban, with distant dreams of automation in the background, like a narcotic awakening in an urban soundscape pre-dawn.

The rest of these tracks fall nicely in line with this feeling — drifty, narcotic, and softly-enveloping clouds of sound. But fairy dust or window dressing this ain’t — Wilkerson and Russell’s music is edgy and realistic, with hints of darkness alongside the contemplative fragility. 

“Vague Traces” is a sublime and beautiful work of art, and one that can be enjoyed best at late night or during early morning hours. I am impressed.






Saturday, November 22, 2014

Green Isac - “Passengers” CD

Smooth ethno-electronica

Norwegian duo Green Isac have been producing worldly, ethno-tinged electronica for some time, but “Passengers” is their first release in 10 years. It all begins with the Eno & Hassell-inspired “Ormen Lounge”, which is a subtle, mysterious piece with trumpet. That piece flows into “Particle Talk”, which is a pulsing ambient piece with sounds evoking a Middle Eastern radio transmission intercepted and placed atop a bed of smooth shuffling beats. Very nice, transformative, and evocative indeed!

The remainder of the album continues in this path — inspirations from around the world are woven seamlessly into Green Isac’s smooth electronic ambience. “CSA” even draws in some synth pop to their web, and it works well. “Zakopane” brings an air of futuristic mystery, manipulating more Middle Eastern sounds around a bed of subtle synthetics. “Na Tariko” could be a less angry Muslimgauze, whereas “1034” is a reflective, haunting slice of piano and electronics. 

All said, “Passengers” is a superb, warm, and invitingly subtle album that weaves together world influence into a modern sound travelogue.



Saturday, November 23, 2013

Darshan Ambient - "Little Things" CD


Sweet and swirly ambience from a master

Prolific composer Michael Allison here presents his 17th album (and 7th overall for the impeccable Lotuspike label), and it's a lovely set of 12 ambient tracks with a decidedly melodic and rhythmic imprint. 

"The Mystery Of Sleep", for example, uses a lilting mix of swirly, dreamlike voices and strings alongside floating percussion and piano. In fact, fans of so-called shoegaze will find much of this album quite enjoyable, as it does manage a similar foggy, gauzy sweetness. "Shadow Country" unearths a bit of mystery, and even hints at a vaguely Southwestern-meets-Middle-Eastern vibe. "Soft Portrait" is a plaintive and gentle piano-based study, while "Slow Drum" is a gradually-building proto-rock entry.

Allison is a master of moody and emotive ambience, and "Little Things" highlights his approach to warm and inviting, and ultimately human electronic music. Superlative!


Wednesday, September 19, 2012

Shane Morris & Mystified - "Epoch" CD


Pooling the talents of ambient artists Morris and Mystified (aka Thomas Park), "Epoch" is the initial collaboration in what is planned to be a 3-part auditory journey through prehistoric time and evolution. It's an interesting idea, and this album would make a fitting soundtrack to such a sojourn.

The artists wisely utilize only organic, acoustic instruments here, before processing them heavily with electronics. The resultant sound is a primordial soup of textures and amorphous tonalities. An effected didjeridoo blends with drones and gradually-shifting washes of what sounds like wind instruments in "Devonia". "Triassic Extinction" is a more mysterious ambient journey to a barren landscape, while the 14-minute "Jurassic Dawn" is a droning affirmation of life, from nutrient-laden seas to lush, green landscapes. "Epoch" sums up the beginnings of life well, and I look forward to exploring more of the Earth with Morris and Park. (Lotuspike)




Wednesday, September 28, 2011

Paul Ellis - "From Out Of The Vast Comes Nearness" CD

Over 70 minutes of shimmering and rhythmic electronic space music from veteran composer Ellis. Tracks like "The Click And Chime Of Passing Time" are far more linear and melodic than ambient, though. Imagine a melding of Kraftwerk and Tangerine Dream and you won't be far from this pleasant extended 5-song collection. "Firefly Rising Outshined By The Moon" is sonic wallpaper, I'm sorry to say, not engaging in the least. The title track brings a little more depth (and darkness) to the party, though, with swells of ominous drone and wispy electronic effects. "Watch The Stars Come One By One" is vivacious and lively, with piano-like melodies and angular rhythms creating a music box-like effect. A solid set of meditational tunes, not without fault, but worth a listen for space music heads. (Lotuspike)

Paul Ellispace

Saturday, September 3, 2011

Time Being -"A Dimension Reflected" CD

The first release from the duo of Phillip Wilkerson and Jourdan Laik, "A Dimension Reflected" is a stately and wistful collection of pure ambient music. That is to say, these 8 extended passages are fleeting and vaporous clouds of relaxing and peacefully mysterious electronic drones and pulses. Think Steve Roach, Robert Rich, or classic Brian Eno. "Dust Of Sorts" shimmers and sparkles, reminding of a lovely lake at dawn, rife with ripples and reflections. "Future Forming" is majestic, with a hint of shadow. Beautiful music here, and perfect for unwinding to. (Lotuspike)

Sunday, August 7, 2011

Crone - "Endless Midnight" album

Jeff Caxide (formerly of progressive post-metal bands ISIS and Red Sparowes) returns anew with this project, and it's a continuation of the ambient textures that his former bands experimented with. Virtually gone are the thundering riffage (though it's hinted at here), and the grunted vocals. In fact, Crone is entirely instrumental. But it works beautifully, almost leaving behind the "rock" tendencies completely.

Opening with the Stars Of The Lid-style drones of "What You Dream Of", Caxide explores rich and sonorous soundtrack music. The album's highlight has to be "The Silver Hammer", which begins all lush and ambient, gradually building up to something larger, heavier, and monolithic, finally evolving into a shimmering shoegaze-drone-meets-riff soundscape. Absolutely wonderful! "Cellar Holes From A Lifetime Ago" is a floating set of tones and drones, and the title track is another mellow track that wouldn't be out of place on an old 4AD Records compilation.

More ambient and soundtrack-oriented than his previous bands, Caxide proves he's capable of many moods and textures. "Endless Midnight" is a fine album that shows the future is bright for this progeny/offshoot of ISIS. (Translation Loss)

Isis site

Monday, May 2, 2011

Bruno Sanfilippo - "Subliminal Pulse" CD

Veteran Argentine/Spanish composer Sanfilippo here releases his debut for the American ambient label, Spotted Peccary, and it's a winner through and through.
With a penchant for gentle, natural, and fleeting ambience in the vein of Steve Roach or Robert Rich, Sanfilippo weaves receding washes of spacious sound alongside natural field recordings. And it's a wholly effective synthesis.

For example, "Alchemical Powers" reminds of a meditative journey to a rain forest, with birds, chirping frogs, and trickling water alongside what could be singing bowls and distant thunder. Beautiful! "Pulsum Sacrum" is stately and majestic, with choral strings and chimes in a similar realm to Eno's classic work. There's no better template than that.

As evocative mood music, Defilippo paints an unobtrusive portrait, and, as the title states, "Subliminal Pulse" is an ideal accompaniment for quiet reflection or reading. Highest marks. (Spotted Peccary Music)

Bruno Sanfilippo site

Wednesday, March 23, 2011

Johan Agebjorn - "The Mountain Lake" CD

Melodic ambient techno/electronica from Sweden, "The Mountain Lake" cruises into the celestial heavens at its best, but this collection of collaborations and remixes has some definite faults. "The Stones Are Blasted", for example, comes across as silly new-age piano/synth fluff. On the other hand, "Swimming Through The Blue Lagoon" is a nice bit of Kraftwerk-style electro-pop. And "Take Me Home" is a superb Biosphere-styled arctic ambient journey. There's a lot of promise here, but "The Mountain Lake" just isn't as cohesive a mix as it should be. (Lotuspike)

Johan Agebjorn page

Map Music/Outersanctum releases (including Phil Western)

Any fans of intelligent and complex ambient and electronic music from some fine Vancouver artists should check this page:

Outersanctum Music

Rare and out of print Map Music CDs are available again, in very limited quantities, for only $12US apiece, including shipping (in North America). The releases include long unavailable recordings by Phil Western (a member of Download and platEAU, among others), Mere Mortals, Pilgrims Of The Mind, Cooldown (with a remix by Western), and the classic and seminal "Welcome To Lotus Land" compilation.

This may be your last chance to find these releases without paying exorbitant collectors prices, so hop to it!

Sunday, November 21, 2010

Darshan Ambient - "A Day Within Days" CD

Veteran composer Michael Allison is Darshan Ambient, and this is his 9th album of pleasant and fleeting melodic electronic-based instrumental music. "A Day Within Days" is completely composed and performed by Allison, and it's an impressive collection of music that centers around melody and song, while retaining the moods and gauzy qualities of ambient music. It all sounds natural and approachable, especially on the shimmering "One Moon Shows In Every Pool". "A Deeper Blue" is a moving and serene piece, with piano leading the melodic charge. "The Long Rain" is a dramatic and lovely string-based composition that would fit well as part of a film score. The ending, "It's You", is a spacious, mature ambient pop song with Allison performing vocals, reminding me somehow of Peter Gabriel or David Sylvian, which isn't a bad thing. "A Day Within Days" is a refreshingly human album of tuneful electronic sounds that will warm even the chilliest winter's day. (Lotuspike)


Darshan Ambient site

Sunday, September 26, 2010

Rudy Adrian - "Distant Stars" CD

New Zealand-based composer Adrian is a veteran of soundtracks and ambient synthesizer music, and this release turns another new leaf for the prolific artist. His most recent works have been stunningly evocative and atmospheric homages inspired by terrestrial landscapes, but this one aims much higher. As the title refers, this is Adrian's extended work exploring the heavens.

Interstellar influences in electronic music have been more than well-documented, from the 60s German synth-sequencer brigade (Tangerine Dream and Klaus Schulze, for example) and on through recent works from such artists as The Orb or Pete Namlook's FAX recordings. But seldom does it work as well as Rudy Adrian's deep, mysterious, and contemplative driftworks. Tracks like the 15-minute "Le Songe Du Singe" are truly "space music", as they approximate the infinite expanse of the abyss with a sense of wonder, awe, and sometimes trepidation (as in the foreboding sci-fi textures of "Netherworlds"). It's a successful journey that ends well with the relaxing freefall of "Entering The Temple Of Haruka Kawagishi". "Distant Stars" is an album of sparkling, otherworldly, and well-crafted ambient sounds to soak in and drift away with. (Lotuspike)

Rudy Adrian site

Wednesday, May 19, 2010

Hammock - "Chasing After Shadows...Living With The Ghosts" CD

This Nashville ambient duo's 4th album is easily their most realized, and most structured, release to date. With Tim Powles (of Australian psychedelic rock act The Church) at the mixing helm, Andrew Thompson and Marc Byrd summon great swells of lovely organic ambient sound, with droning, shoegaze-soaked guitars and deftly-mixed strings. They weave spacious melodies into their instrumental songs, and the results wouldn't sound out of place on an Eno or Sigur Ros recording. The album's single, "Breathturn", utilizes reverb-soaked distant vocals ala Slowdive, and is certainly a sweet treat for the ears. Other cuts, like "In The Nothing Of A Night", wrap dark edges into the blissed-out atmospheres. But it's never a heavy-handed or ponderous approach. Hammock's music, like their name, stretches out in a most relaxing fashion. It's a breath of fresh air in a sea of pretension and attitude. "Chasing After Shadows..." is a journey worth repeating, functioning either as effective background listening, or as an enveloping headphone experience. Monumental, multi-layered sounds for anytime of day or night. (Hammock Music)

Hammockspace

Hammock - Breathturn from David Altobelli on Vimeo.

Friday, November 20, 2009

Jeff Greinke - "Virga" CD


Over the course of some 25 years and 18 albums, composer Jeff Greinke has proven his mastery of fourth-world ambient sound. This new release combines his trademark spacious, exotic, and earthly atmospheres with more traditional instruments to form classically-structured chamber music, accented with cello, piano, and trumpet. During "Slow Rise", Christiana Morgan's cello plays a major role, grounding the sounds in an earthy, harmonic fashion. "Night Flyers" weds what sounds like field recordings of nocturnal frogs with treated piano and choral voices. "Abandoned Place" is a shadowy, almost sad classical/ambient piece, with mournful strings and piano. "Before The Storm" is beautifully self-explanatory, with an air of impending darkness. It's the calm before a potentially serious weather pattern, where the initial winds pick up to herald the oncoming storm. "Partial Light" also manages to convey a peaceful solitude, but not without some darker force underneath the fragile hull. It's this dichotomy that makes "Virga" so successful. Greinke balances the tender, fragile beauty of strings and shifting melodic strokes with undercurrents of regret, tension, sorrow, and uncertainty, without being cold or calculated in his approach or execution. To put in succinctly, this is ambient music with soul and feeling, and that makes "Virga" a real winner. (Lotuspike)

Greinkespace

Greinke's site

Tuesday, October 13, 2009

Ethernet - "144 Pulsations Of Light" CD


Using sound as a meditative or healing instrument isn't a new idea. In fact, this is likely among the earliest applications for music itself. Tim Gray (who is Ethernet) seeks to re-establish the self-healing and trance-provoking elements of ambient sound on his debut here. Beginning with the drones of "Majestic", Gray's shimmering pulses are grounded by an underlying 808 backbeat -- a singular, simplistic rhythm. "5 + 7 = 12" is almost melodic, as a lilting loop is placed among the electronic textures and field recordings. That dubby back-rhythm, combined with the trancey natural landscapes, reminds me a bit of the landmark work of Wolfgang Voigt as Gas, although Ethernet is more drone-based and hazy/distant. "Summer Insects" drops the beats entirely, and becomes even more effective and organic, like a paean to a lost rainforest. "Seaside" is a calming affirmation, while "Kansai" is more upbeat. The closer, "Temple", is a celestial gem that sparkles and gently lulls. This is some righteously beautiful and timeless work, and here's to hoping that Ethernet can continue on this splendid, nature-oriented path. (Kranky)

Ethernetspace

Tanuki Dreams site

Thursday, September 17, 2009

Deborah Martin & Erik Wøllo - "Between Worlds" CD


The sound of "Americana" is really a new development, and though it does reflect many of our "roots" in this country, it's not altogether accurate. On this series of recordings, composers Martin and Wøllo pay tribute to the true Americana - the music and spirit of the Native Americans. The worlds of healing, magic, and ritual are reflected here in these compositions, and with fellow ambient/ethno sound sculptor Steve Roach assisting, the duo explores these ceremonial spaces with location recordings, native instruments, chants, and even old 1894 cylinder recordings. "In Between Worlds" is just that -- an audio travelogue examining the spaces between the inner and outer planes, life and death, and the natural and spiritual worlds. It's a fairly relaxing, ambient sort of sound here, and tracks like "Gathering At Sunrise" are simply beautiful and uplifting collages of chant, light percussion, and an irresistibly uplifting groove. These are songs full of reverence, light, love, and peaceful oneness. Wonderful. (Spotted Peccary)

Deborah Martin bio

Deborah Martin website

Erik Wøllo bio

Erik Wøllo website

Tuesday, August 11, 2009

Greg Davis - "Mutually Arising" CD


His first Kranky release in (gasp) almost 5 years? Davis has evolved much in his "absence". Indeed, "Mutually Arising" is a set of 2 extended tracks, both with similar trajectories, but altogether different endpoints. "Cosmic Mudra" is nearly 29 minutes of buzzing, carefully-layered drone. To an untrained, or impatient ear, this could be construed as single-note nonsense, but upon closer "deep listening", this drone is a combination of sounds that gently twist and envelop itself again, like an ouroboros circle. The drones become intense at around the 18 minute mark, and it's really quite an overwhelming experience. "Hall Of Pure Bliss" runs at 22 minutes, and it's a more spacious, lilting, almost ambient journey, It really doesn't get much more minimalist than this, thank you John Cage. But Davis' ear is on a spiritual angle here, as evidenced by his titles. Is this meditational music? You betcha. Imagine opium dens and alternate planes of consciousness, then imagine the soundtrack. This is that. (Kranky)

Greg Davisplace

Autumn Records (Greg's personal label site)