Couldn't get into this one, being all prog-metalcore with the requisite dual lung-shred vs. melodic vocals. To the band's credit, there are some really intense and technically-impressive passages here, mixing math-rock and hardcore, with almost jazzy precision. Instrumentally, EOTW are powerful and intense, and for that, I give them props. However, the lighter breakdowns remind me somehow of lame shite like P.O.D., though, and that's just not a good thing. It's those vocals, really. "Fleshmaker", for example, mixes the harsh/soft vox and displays the band's potent chops, but it all seems forced somehow. Like they're trying too much to cram it all into one song. Don't get me wrong, I adore beauty and melody as much as I require thorny aggression, but EOTW's collision of sounds and moods aren't fluid nor subtle to these ears. And the vocal stylings are stereotypical and just plain awful. No, thanks. Ditch the singing and you've got a superb album next time! (Translation Loss)
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