Showing posts with label prog metal. Show all posts
Showing posts with label prog metal. Show all posts

Thursday, July 22, 2010

A Forest Of Stars - "Opportunistic Thieves Of Spring" CD

This English quintet get really liberal with their black metal inspirations, and they are gifted a rare treasure missing in at least 99% of the scene -- a sense of humor! The band's website is a beautifully artistic recreation of a 19th century "Gentleman's Club", complete with books the visitor can "leaf" though, moveable desk props, and Daguerreotypes of the band members as they "were" in 1890. Certainly refreshing in a sea of "too dark for thou" corpse-painted po-faces.

That said, musically, A Forest Of Stars don't refer to that era at all. They exhibit the screeching speed riffs and unintelligible vocal roar of the usual black metal, but the addition of flutes, strings, and symphonic elements is a welcome addition. "Sorrow's Impetus" opens with a maelstrom of harsh black metal and swirling psychedelia - a mix that works quite well. "Summertide's Approach" could be a medieval Tool or Isis, even, if either of those bands utilized violins or flutes in their respective lexicons. "Thunder's Cannonade" churns with a doomy seriousness, and the moody "Starfire's Memory" falls away to reveal a darkened soundtrack of thunder and cavernous noises. The closer, "Delay's Progression", begins as a light synthesizer soundtrack before sharpening the blade and ramping it up to a 16-minute progressive-metal epic. Solid and bewildering work here, melding genres almost as wildly as a Mike Patton-related project. (Transcendental Creations)

A Forest Of Stars site

A Forestspace

Thursday, July 1, 2010

East Of The Wall - "Ressentiment" CD

Couldn't get into this one, being all prog-metalcore with the requisite dual lung-shred vs. melodic vocals. To the band's credit, there are some really intense and technically-impressive passages here, mixing math-rock and hardcore, with almost jazzy precision. Instrumentally, EOTW are powerful and intense, and for that, I give them props. However, the lighter breakdowns remind me somehow of lame shite like P.O.D., though, and that's just not a good thing. It's those vocals, really. "Fleshmaker", for example, mixes the harsh/soft vox and displays the band's potent chops, but it all seems forced somehow. Like they're trying too much to cram it all into one song. Don't get me wrong, I adore beauty and melody as much as I require thorny aggression, but EOTW's collision of sounds and moods aren't fluid nor subtle to these ears. And the vocal stylings are stereotypical and just plain awful. No, thanks. Ditch the singing and you've got a superb album next time! (Translation Loss)

East Of The Wall site

East Of The Wallspace