Showing posts with label Radiohead. Show all posts
Showing posts with label Radiohead. Show all posts

Wednesday, July 20, 2011

Radiohead - "Arms & Legs: The Story So Far" 2xDVD

This is another re-packaging of 2 previous unofficial Radiohead DVDs, not labeled as so, which could lead to some angry buyers. Not a good move, but a sure sign of a quick ca$h-in attempt by the UK's "Pride DVD" (formerly Sexy Intellectual). Shady dealings!

Anyhow, disc one was released as "OK Computer - A Classic Album Under Review", and essentially breaks down this landmark album, track-by-track. Unquestionably one of the most influential and innovative pop albums of the past couple of decades, "OK Computer" is here dissected by journalists and Radiohead biographers. A little live footage is interspersed within, but overall this is a fairly lightweight documentary, with limited interest.

The second disc pales mightily in comparison, believe it or not. Previously titled "Homework", this thin 46-minute documentary from 2003 merely serves as a visual biography of the band, with photos and a few interviews with insiders. Make no mistake, I was pleased to learn of Thom's pre-Radiohead dalliances with post-industrial music as Headless Chickens, but this one is sorely lacking in any Radiohead music. As it is, "Homework" is a shameful and shallow disc of fluff that could just as easily be seen online or learned on wiki. No, thanks. (Pride DVD via MVD Visual)

Radiohead site

Wednesday, March 9, 2011

Philip Selway - "Familial"

Solo album from Radiohead member who's not Thom Yorke or Jonny Greenwood. Drummer Selway proves his songwriting worth with a superb album of mature and folksy pop tunes. I get a little Beatles, a little Pink Floyd. Young God recording artist Lisa Germano and members of Wilco are present, as well, so you know this is an honest and tuneful set of songs. Good stuff! (Nonesuch)

Philip Selway's site

Radiohead Dead Air

Tuesday, March 8, 2011

Radiohead - "The King Of Limbs"

I could expand on this album and do a full-on, in-depth review. But you already know whether you'll be picking this one up or downloading it. Right? So let's dispense with the formalities, shall we? Suffice to say, Radiohead don't disappoint with this brief (8-song, 38-minute) album. It's a laid-back, spacious affair overall, without any certain standout "pop" hits necessarily. Electronic, ambient, organic, psychedelic, krautrock...it's all there. Yorke and company are in fine form. (self-released)

Radiohead's official "King Of Limbs" order site

Dead Air Space

Saturday, March 6, 2010

Muse - "Under Review" DVD

Muse are a band I've enjoyed, but their predilection for sounding like other bands has been their ultimate downfall, in my eyes. Their earliest records (never released here in the states) echoed Radiohead far too closely, and in more recent times, Muse have done the unthinkable, and referred painfully to Freddie Mercury and Queen - blustery, pompous, and even operatic at times. This unauthorized documentary DVD, billed as "An independent critical analysis", does refer to these gripes, but generally goes off the deep end, citing Muse as great innovators, and one of the world's greatest groups. Hooey, I say. Former managers, UK music writers, and past producers are interviewed, and they all speak adoringly (perhaps too much so) about Muse's successes and glories. Taken with a grain of salt (or three), "Under Review" can be an entertaining look at the history of this epic stadium rock outfit, especially if you can get past the sycophantic spirit. (Sexy Intellectual via MVD Visual)

Musespace

Monday, February 2, 2009

"Scott Walker: 30 Century Man" (director: Stephen Kijak)


Ohio-born singer/songwriter/composer Scott Walker's rise in the 60's was brief and bright. With his band, the Walker Brothers, Walker (born Scott Engel) became a pop sensation. His success in England and Europe was massive, and he was known as the guy every girl wanted to be with, and the guy every other guy wanted to be. But he threw his pop stardom away as quickly as it came. He followed his true muse and recorded several LPs of odd, dark, and poetic songs that seemed to follow nobody else in particular (though he was known for his covers of French sleaze-chanson singer Jacques Brel). As his critically-acclaimed albums sank on the charts, he went into seclusion. For years. His myth grew, and he returned with a renewed vision, to cult acclaim and mild to lukewarm success. After another series of years away from the limelight, he returned in the 90's with the cryptic and avante-garde-leaning album 'Tilt', and thereafter with the even more arcane 'The Drift', which used raw meat for percussion, as well as full orchestras.
This feature-length documentary traces Walker's career, from his earliest days as a teen star to his 2006 recordings, where a still-youthful Walker directs his sound into unique and often confounding artistic directions, all the while wrapping his silky baritone around strange and eerily beautiful musical backdrops. Director Kijak includes, for the first time ever, studio footage of Walker recording, and extensive interviews with the man (and others, including executive producer Bowie, as well as Brian Eno, Radiohead, Gavin Friday, Jarvis Cocker, Johnny Marr, Damon Albarn, Sting (??), Marc Almond, writers, collaborators, and fans). Editing by Grant Gee is clever and arresting, and this is the definitive look at the man's career for the past 40+ years. It's a testament to the sheer genius (and possibly madness) behind the very down-to-Earth, yet enigmatic and mysteriously reclusive composer. A beauty, to be sure.

Friday, May 16, 2008

Radiohead with Liars, V Wireless Amphitheater, St. Louis, MO 05.14.08




My first major concert since, oh, 1994 when I caught Nine Inch Nails in Evansville IN at Robert's Stadium. That show, with it's super-long lines, security checks, traffic snafus, and protesters (hah!) was an eye-opening experience after seeing so many shows in smaller, mid-size venues. NIN (and openers Pop Will Eat Itself and the Jim Rose Circus Sideshow) were excellent, or should I say, what I could see from the distant bleachers - was excellent.

I can say similar things for this one. In way Northwestern St. Louis, amongst expanses of farmland, fast-food eateries, and a massive gambling casino, sits this excessively-huge outdoor amphitheater, which is evidently another investment opportunity for a major cell-phone wireless provider (I refuse to further promote this, so we'll just called it the V Wireless Amphitheater, and leave it at that). Anyhow, after a decent drive (relatively trouble-free despite the detours due to a complete re-structuring of I64 inside St. Louis), we grabbed our cheap hotel room (which wasn't all that bad, now was it c?), and went out to meet our destiny, and see the show.

Fine restaurants were in short supply, so we were forced to utilize the horrendously overpriced snack and drink valley within the amphitheater. Hmm. Let's see. $8.00 per plastic bottle of Budweiser. No, thanks. Bottles of water for $5.00. Ugh. Personal-size Papa John's pizzas for $8.00. Yipes. Little cup of french fries for $5.00. Shudder. So we had to dole out some cash for a few small bits (fries and a pizza, we luckily brought our own water). Not long after we ate, we made our way to the lawn. Yes, the grass. To it's credit, it was nice and fairly soft grass. Nice and soft on our asses, cuz that was where we had paid $50 apiece to be! Better still, it had rained the previous day or night, so it was wet grass. Prepare for discomfort.

Anyway, the openers were Liars, and they kicked ass. Like a mixture of Bauhaus (the vocalist had some of Peter Murphy's patented moves down perfectly) and Joy Division, these guys exhibited more than a trace of great 80's-era dark rock, but edged up with a pulsing 90's noise-rock aesthetic (think Sonic Youth or some proto-industrial acts). The sound was superb, even on the lawn. I will certainly be revisiting their latest CD, 'Liars', soon. The audience was fairly supportive, at least from what I could detect.

Nicely enough, as the throngs became mobs, and the entire amphitheater became a mass-collection of band t-shirts, tattoos, funky clothes, funkier aromas (patchouli, cloves, cigarettes, and mary j, to be specific), we were approached by some upstanding young lasses with a tarp and blanket. The deal? We share our spot of prime real estate in exchange for use of their wet-grass-combatting articles. We affably agreed and thus began our mutually-beneficial symbiosis. The girls had fun taking digital pix of 'wet asses'. We dare not stand up, as we would likely have ended up part of their gallery collection! Hah!

Anyhow, after a prolonged break, the crowd roared as, it would seem, Thom Yorke and company were onstage. I could detect them as slight, featureless figures onstage...but yes, it was Radiohead. The monitors were switched off (at the band's request), but luckily they had their own light show and backing screens that showed the group in a much more artful and obscure way. Dig. Well, the show was sold out, and some estimates I've read said 18,000 people. It seemed that way when Radiohead was onstage. The place was full, and reportedly sold out!
The band opened with 'All I Need', and it went from there. Rapturous applause and screams at every turn. Rather than detail it here, here's the necessity..the setlist:

01. All I Need
02. Jigsaw Falling Into Place
03. Airbag
04. 15 Step
05. Nude
06. Kid A
07. Weird Fishes/Arpeggi
08. The Gloaming
09. You And Whose Army?a
10. Idioteque
11. Faust Arp
12. Videotape
13. Everything In Its Right Place
14. Reckoner
15. Optimistic
16. Bangers and Mash
17. Bodysnatchers
Encore One:
18. Exit Music (For A Film)
19. Myxomatosis
20. My Iron Lung
21. There There
22. Fake Plastic Trees
Encore Two:
23. Pyramid Song
24. House of Cards
25. Paranoid Android
Pretty impressive. TONS of great music, well-performed and with solid sound. Yes, Radiohead can perform their studio magic live just as well as on their numerous spellbinding and influential CDs. A very cool light show with video effects, and modern but oh-so moving and intimate live presence, despite the nipply cool weather (mid-50's) and oversize venue. I did manage to see the band in better detail, thanks to my 10X zoom camera, and I must concur with Cori that the show was superb, and the band still at the top of their game. I do abhor such venues, and profess to never having a need to see a show so huge ever again in my life. I am, nonetheless, very glad to have been able to see Radiohead live at last (one less thing to do before I die). Now I still need to see Nick Cave and The Bad Seeds, and perhaps Einsturzende Neubauten. Ah, someday.
Radiohead

Friday, March 21, 2008

Modeselektor - "Happy Birthday" CD


Electronic music has an image problem. When it's referred to as “techno,” all sorts of stereotypes and biases arise, even among the purveyors of said musics. Berlin-based duo Modeselektor throw it all to the wind with Happy Birthday, dabbling into a variety of electronic sub-genres, from crunky club sounds to Kraftwerkian electro-blips, to mysterious minimalist/glitch soundtracks that could double as alternate Blade Runner themes. Amongst individual cuts, “The White Flash” is an especially memorable cut that features Radiohead's enigmatic front man Thom Yorke. This lonely, icy tech-scape sounds quite in line with his own solo material. Appearances by French rappers TTC, Floridian electro-grindcorist Otto Von Schirach, and numerous others all fit in seamlessly beside the duo's cold and steely synth-structures. You get it all in these 75 minutes - thumpin' rhythms, meditative ambience, and experimental soundscapes. Pretty well a comprehensive scope of modern electronic music. Quite listenable, and a solid piece of work here. (BPitch Control)