Showing posts with label drone pop. Show all posts
Showing posts with label drone pop. Show all posts

Monday, May 31, 2010

Harvestman / U.S. Christmas / Minsk - "Hawkwind Triad" CD

Perhaps unjustly ignored here in the states, longtime sci-fi space-rock group Hawkwind have inspired literally hundreds of willing space-travelers throughout their 40+ year journey on this planet. And, they gave Lemmy Kilmeister (later of metal legends Motorhead) his beginning. That aside, this is a tribute album, with 3 present-day psychedelic / post-rock / intelligent metal acts performing their favorite classic Hawkwind cuts. What's it sound like? Well, it's a respectful and reverential set, with faithful covers of freak-out heavy rockers like "Masters Of The Universe" and "Orgone Accumulator", as interpreted by Appalachian psyche-blues act U.S. Christmas. Neurosis frontman Steve Von Till (as Harvestman) contributes 4 tracks, with his gruff, weathered vocals and stark arrangements, but I find this material less energetic than his bewilderingly intense Harvestman LP of last year. Minsk's lumbering and majestic 12-minute behemoth "Assault And Battery/The Golden Void", however, shows that Hawkwind may've have been the Pink Floyd of the heavy music scene, and this may be the highlight for me. U.S. Christmas returns with the deep trippers "Psychedelic Warlords" and the frenzied "You Shouldn't Do That", both complete with driving mantric riffs and far-out synth scribbles. I dare you to listen to this and not commit heinous acts of synesthesia. A powerful and spaced-out set of heavy rockers, here. Monumental. (Neurot Recordings)

Steve Von Till/Harvestman page
Von Tillspace

U.S.Christmaspace

Minsk site
Minskspace

Thursday, October 16, 2008

Benoit Pioulard - "Temper" CD


Soft, blurry, and wispy folk-drone-pop from this Oregonian composer (known to his parents as Thomas Meluch), 'Temper' continues in the direction of his inaugural release of a couple of years back, and offers better songs. The strength of Benoit Pioulard's fragile and often delicate popsongs are his bouncy, almost upbeat melodies. But coupled with the well-layered and deftly-mixed guitar textures are Meluch's vulnerable vocals, all swirled-up in a melange of effects and introspection. It's an effective mix - and it works wonderfully in the composer's favor.
The first track, 'Ragged Tint', is among the more rhythmic cuts here, and sets the stage for the more folksy offerings that follow. Recorded at home by Meluch, the sound is quite lush, flowing, and really quite lovely. If you can imagine something like Nick Drake as remixed by Kevin Shields, you may understand the overall vibe of 'Temper'. Highly enjoyable music for sunny days and a glass of lemonade. (Kranky)

pioulard site