Ulver - "Wars Of The Roses" album

Few bands have evolved so drastically (or intelligently) as Norway's Ulver. Beginning life in 1993 as a fairly typical black metal act, Ulver have, in recent years, embraced electronic music, ambient, folk, post-rock, and film soundtrack work, all with equal respect and reverence. "Wars Of The Roses" is the band's 8th studio album, and the evolution is striking and effective.

The surprising and brilliant Krautrock/pop of "February MMX" opens, complete with melodic chorus and hooks. Definitely a long way from the band's roots, but quite good. The rest of the album is similarly textural and layered, yet not at all lightweight. Co-production and mixing by John Fryer (known for his work with the early 4AD Records label) surely contribute to the album's ethereal moodiness, but Ulver's visionary psychedelic soundscapes are deep and almost magical. Their heart is still blackened, but their process and tools are much more colorful and diverse.

Other standouts include "Providence", a gorgeous (but dark) piano-led piece featuring female vocals, and the epic "September IV". The closer, "Stone Angels", runs 15 minutes and is an ambient narrative featuring new member Daniel O'Sullivan reciting poetry alongside lovely meditational ambience and a powerful percussive finale. Fitting. An incredible album from an innovative and unique group. (Kscope Music)

Ulverspace (not official?)

Ulver's own label and official band site

Rosetta - "A Determinism Of Morality" CD

Taking obvious cues from post-metal juggernauts like Neurosis or Pelican, as well as the expansive, atmospheric guitar landscapes of Mono or Explosions In The Sky, this Philadelphia band's 4th full-length resonates with a duality that's impressive, if a bit hard to swallow for purists of either the avante-metal or post-rock scenes. On one hand, Rosetta's moody, churning guitarscapes are often as ambient and melodic (even delicate) as they are metallic. The throat-shredding vocals by Michael Armine act as a bit of a counterpoint to the band's sound, adding a powerful, lung-shearing anguish to the mix. Opening with the harsh "Ayil", which could be Mogwai if they added the guy from Isis on vocals, the stage is set for Rosetta's sprawling and textural songs, self-described cheekily as "metal for astronauts". Certainly, there are some superb, dense, and even beautiful passages here. Witness the chime & drone of "Je N'en Connais Pas la Fin", broken by Armine's gutteral vocals, and ending with a rather impressive epic buildup. Fans of bands like Envy can relate. Me? I really like parts of "A Determinism Of Morality", but can't get my head around the juxtaposition of brutal shouting with soul-crushing loveliness. (Translation Loss)

Rosetta site

Rosettaspace