Showing posts with label John Fryer. Show all posts
Showing posts with label John Fryer. Show all posts

Wednesday, April 20, 2011

Ulver - "Wars Of The Roses" album

Few bands have evolved so drastically (or intelligently) as Norway's Ulver. Beginning life in 1993 as a fairly typical black metal act, Ulver have, in recent years, embraced electronic music, ambient, folk, post-rock, and film soundtrack work, all with equal respect and reverence. "Wars Of The Roses" is the band's 8th studio album, and the evolution is striking and effective.

The surprising and brilliant Krautrock/pop of "February MMX" opens, complete with melodic chorus and hooks. Definitely a long way from the band's roots, but quite good. The rest of the album is similarly textural and layered, yet not at all lightweight. Co-production and mixing by John Fryer (known for his work with the early 4AD Records label) surely contribute to the album's ethereal moodiness, but Ulver's visionary psychedelic soundscapes are deep and almost magical. Their heart is still blackened, but their process and tools are much more colorful and diverse.

Other standouts include "Providence", a gorgeous (but dark) piano-led piece featuring female vocals, and the epic "September IV". The closer, "Stone Angels", runs 15 minutes and is an ambient narrative featuring new member Daniel O'Sullivan reciting poetry alongside lovely meditational ambience and a powerful percussive finale. Fitting. An incredible album from an innovative and unique group. (Kscope Music)

Ulverspace (not official?)

Ulver's own label and official band site

Thursday, September 2, 2010

Dead Leaf Echo - "Truth" CD

This Brooklyn band's second full-length is a stylish and hazy daydream that harkens back to the classic days of 4AD or Creation Records. In fact, that may be somewhat intentional, as the band recorded this with noted producer John Fryer (Cocteau Twins, Love & Rockets, Xymox, Depeche Mode, etc.). Opening with the gauzy and soft "Half-Truth", the album spins a shoegazey web of moody guitars and passive, androgynous vocals. They lose me somewhat on the silly "Dance In The Light", with its rather redundant lyrics ("Dance In The Light Of Your Soul"? Come on now, folks...) that prove the band is aiming more for mood than poetic realism. The final track is a remix of "Act Of Truth" that goes for a retro-80's synthpop kinda vibe. That said, fans of classic swirl-mope-rock ala Cocteaus, Slowdive, or The Cure, Dead Leaf Echo should be more than pleased by Dead Leaf Echo's dreary and monochromatic goth-shoegazing. (2&1 Records)

Dead Leaf Echospace