Ah, the greatness that was the Ramones, here captured on DVD of dubious origin. But no matter, this short (19 tracks, but well under an hour in total) set includes old TV appearances (one recognizable source is England's Old Grey Whistle Test), and the band were in fine form, indeed.
Sure, it's nowhere near HD in quality, but who needs that window dressing? The rawness here is fine with me, as the band (in their prime) pummel through greats like "Blitzkrieg Bop", "Now I Wanna Sniff Some Glue", "We're A Happy Family", "I Wanna Be Your Boyfriend", and tons more. As mentioned before, this is a shady set of quick-transferred TV appearances, and the "Biography" is nothing more than a few paragraphs of text on-screen with a quickie band history, but (gabba gabba) hey, it's not rocket (to Russia) science. Cool stuff, and you can't discount the quality of these performances, regardless of the medium.
Ah, this one is interesting. Unholy Grave are a veteran grindcore act from Japan who've released spades of split LPs, EPs, and cassettes since 1993. This 23-track, 34-minute blast was recorded live in a Dutch studio, and is a growly, lo-fi clot of brief grind blasts that could easily be a mid-80's UK act. Tracks are pretty well interchangeable, save for a faithful (and humorous) cover of the Ramones' "Beat On The Brat", and Unholy Terror's political direction is definitely more punk than metal. Tracks like "No Racial Superiority" mince no words. And a number of anti-terrorism tracks also show that Unholy Grave aren't all about fantasy or "evil" for evil's sake. This is pure, uncut crust/grind cut from the same cloth as early Napalm Death. Cool and fun. (Selfmadegod Records)
Actually a set of 3 films (and a CD), this release centers around "Hey Is Dee Dee Home", a candid interview session with the storied and streetwise Ramones bassist. In this, he recounts (in his "been there, done that" Brooklyn accent) some personal history and reflections on the whole New York downtown 70's punk rock scene, complete with friends and accomplices like Johnny Thunders, Richard Hell, Debbie Harry & Chris Stein, and the whole drug/music scene that he was a prime player in. Dee Dee, despite his perennial troubles with drugs and the law, proved to be quite articulate and personable in these interviews, and they serve as a sort of memorial to the charismatic rock outlaw. The bonuses include "Vom In Paris", an interview with Die Toten Hosen drummer Vom Ritchie, who was invited to Paris to play with Ramone, Thunders, and Stiv Bators in a short-lived band that never got off the ground, and "History On My Arms", which is basically recycled and out-take footage of Dee Dee from the "Hey Is Dee Dee Home" film. These extras are pretty expendable pieces, though they should prove interesting for die-hard Ramones/Johnny Thunders fans and those seeking insight into those golden days of NYC proto-punk. The CD is a lo-fi collection of Dee Dee solo guitar pieces. R.I.P. Douglas Colvin (aka Dee Dee Ramone). (MVD Visual)
This 1998 documentary chronicles the early-mid 70's New York pre-punk music scene, told via a series of firsthand accounts from some of the great artists who helped to spawn it (Patti Smith, Tom Verlaine, Richard Hell, Jim Jarmusch, Alan Vega, Legs McNeil, etc.). Of course, this tale involves Hilly Kristal and his Bowery club, CBGB's, which gave these artists and others (Blondie, Talking Heads, Television, Suicide, Ramones, New York Dolls, Wayne/Jayne County, Stooges, etc.) a place to play and grow. 'Rising Punk' is brief (60 minutes), with no extra features, but it doesn't need more. There are tons of rare photos and film clips to illustrate the importance and relevance of New York's CBGB's scene, and it's relation to the 'punk' explosion in general. An excellent and informative look at a counterculture that was (at the time) untainted by commercial pressures or corporate marketing. Recommended for anyone wondering about the genesis of punk rock and alternative music in general. (ABC Entertainment via MVD Visual)
Now, this one is world-class. Never before have I seen a historical documentary and history of punk rock that is as comprehensive, factual, and fascinating as this one. This years-in-the-making film is, quite possibly, the definitive document of punk's often-misinterpreted and sketchy past (and present).
Featuring interviews with personalities from nearly every notable and essential punk band, there's no skimping on the details and history. Take a look at just some of the participants here: Bad Religion, Black Flag, Ramones, Rancid, Social Distortion, Stiff Little Fingers, Sham 69, Damned, Green Day, MC5, Minor Threat, Subhumans, UK Subs, Sex Pistols, Exploited, Billy Idol, Dead Kennedys...and the list goes on. And beyond their personal insights, there are countless flyers, album covers, images, old movies, etc. to illustrate the 'hows', 'wheres', 'whos', and 'whys' of the 70's most influential and relevant musical and cultural phenomenon, and it's influence on today's music and pop culture.
In Dynner's movie, the history is essential, but her insights go further that that. Punk rock's socio-political relevance is examined, as is it's undeniable influence on fashion (Hot Topic? piercings? tattoos?). The film examines the evolution of the genre - from its' explosive 70's beginnings, to the mostly-forgotten 80's era, when punk quietly inspired some of today's biggest rock stars. And it even looks deeper into today's 'punk', with bands who purists may scoff at (Good Charlotte and Sum 41 are given time here to explain their roots and feelings), yet are included in the style nonetheless. In short, virtually nothing is left out - from arrests and social unrest to selling out.
There are so many great stories told here (from the legends themselves, both known and unknown), with trivia and anecdotes galore, lest you expect a dry and purely scholarly examination of the virtues and downfalls of the genre. It's exhaustive, it's authoritative, and it's a helluva lot of fun.
This is essential viewing for anyone with even a passing interest in the subversive music and lifestyle that has been co-opted by the mainstream, but once flipped its' collective middle finger to authority and the corporate mainstream. Sure, punk swims dangerously close to the sharks these days, but the ideals are still there, submerged in the underground, where it's spawned offshoots not confined by the name or genre 'Punk's Not Dead' is a work of art, and a necessary history lesson with (s)punk. And the nearly 2 hours of bonus features are just about as worthy and watchable as the feature film itself... Get this one pronto! (MVD Visual)
What do you get when you get a bunch of veteran California punk rock stars together to pay irreverent tributes to both Elvis AND pigfuck punk slimester G.G. Allin? Your answer is right here. These 'nardcore' buffoons, eh, liven up these old Elvis songs and do 'em up in grand three-chord punk rock style. 'Blue Suede Shoes' is punk-a-billy to the nth degree, and really pretty fun. I can imagine the old days slamdancing at local punk shows with some rowdy and shady characters. Ah, the good old days! 'Viva Las Vegas' was already done years back by Jello and his Dead Kennedys, but here it's even harder and heavier. 'My Way' is in the drunken sloppy spirit of Sid's infamous rendition, whereas 'Devil In Disguise' is mean and peppy, with Bad Samaritans' Eric Lara (aka GG Elvis) performing gruffy vox. The rest of the band, consisting of members of Ill Repute, Stalag 13, NOFX, and Jughead's Revenge, takes it up a notch with some great classic-style 3-chord punk, with little inner-song tribs to the Ramones, Black Flag, and Sex Pistols, which is nice. Overall, a fun if inessential album, though their live shows would own, I'd bet. The accompanying bonus DVD is full of some indulgent clips and assorted silliness, really pretty insubstantial. (Mental Records)
