Lou Reed - "Tribute" 3xDVD box set

Shameless cash-in, some worthy info

Another opportunistic repackaging from Pride DVD, this set includes 3 previously-released (unlicensed) documentaries featuring Lou Reed and the Velvet Underground. With Lou's passing making recent headlines all over the world, this re-release, however worthy, is still rather shamefully mercenary.

The first DVD, "Punk Revolution NYC", focuses on the 1966-1974 New York proto-punk scene -- The Velvet Underground, New York Dolls, and CBGB's feature most prominently. Also discussed are Television, Suicide, Wayne County, Blondie, Patti Smith, Talking Heads, and Andy Warhol's influence on the scene. Many of the original artists are interviewed, alongside the usual critics and journalists. This 87-minute film includes a great many historic videos and photos, and with the insights of the artists' themselves, it all makes for a superb portrait.

The next disc is "The Sacred Triangle: Bowie, Iggy & Lou 1971-1973", examining the personal and artistic symbiosis that went on between these rock legends in that era. I've already reviewed this release, on it's own, back in 2010:

http://goatsend.blogspot.com/2010/11/sacred-triangle-bowie-iggy-lou-1971.html

Finally, the remaining DVD in the set is "The Velvet Underground: Under Review". This one covers the band's entire existence and all major releases, and features archival interviews with most VU members and colleagues, as well as Andy Warhol, historians, journalists, and even fans like Dean Wareham (Galaxie 500, Luna). With plenty of live footage and photos, this is probably the closest we'll ever get to a comprehensive documentary on the Velvet Underground and their legacy.

So despite serious fans likely already having these volumes, "Tribute" does include some worthwhile material, and could be a good bargain for those who didn't already purchase  these DVDs individually.

Lou Reed dot com

Hunter S. Thompson - "Final 24 - His Final Hours" DVD

Hunter Thompson lived the life that many of us envy. His steadfast idealism took him on a journey that certainly wasn't easy, but in the end, he did what, and when, he wanted. The fact that he's an icon of independent thinking and considered among America's most inspirational and gifted writers places him alongside names like Burroughs or Kerouac.

But you can read numerous bios and watch documentaries to get his detailed background, and this is not the place for all that. Suffice to say, this 60-minute TV program chiefly examines, in detail, the last hours of a man ravaged by years of drugs and drinks who felt he was losing the freedoms he'd so gallantly fought for over the course of his storied life. Thompson took his own life in 2005 at the age of 67. His passing caused no speculation nor controversy. He had warned of it years before, and his failing health (coupled with painkillers and bourbon) only served to stoke the internal fires within the troubled man's mind. "Final 24" recreates scenes from Thompson's final hours, and does an admirable job illustrating the scenes leading up to his demise. As well, friends and family are interviewed, so there are valid insights here. As a bio, though, "Final 24" only scratches the surface. That it's merely focused on the morbid aspects of the author's final moments is evidence that there are better and more comprehensive docs out there, and this one's really only for the serious fans and students of Dr. Thompson's life and times. R.I.P. Doc. (MVD Visual)

Hunter S. Thompson fan site

M.I.A. - "/\/\/\Y/\" CD

Sri Lankan vocalist/activist/designer Maya Arulpragasam (aka M.I.A.) unleashes her much-awaited 3rd full-length, and it begins strikingly heavy with the clever agit-political intro, "The Message". She's off to a running start, already, which is followed by the proto-industrial "Steppin Up", which could almost be Skinny Puppy with a female vocalist. Granted, her use of abrasive sampled elements in pop isn't unique, but it's especially jarring here. She wisely follows the harshness with what could be the most commercial track of her career, "XXXO". Sadly, this one's a tepid electro-R&B bit that proves her pop savvy, but somehow seems concessionary to these ears. Or could it be she's having a laugh at radio's expense?

Either way, M.I.A. does better with the thumping "Teqkilla" - a more balanced mesh of odd experimental cut-up weirdness and bass-pumpin' club sounds. The remainder of the album is as varied as a pop album can rightfully claim to be, and that's certainly a good thing. "Story To Be Told" is a dub/electronic workout, while "It Takes A Muscle" is a slice of island calypso/reggae. "Meds And Feds" is heavy digital-thrash ala Atari Teenage Riot, but "Space" is light and airy ambient pop. "Born Free" is unashamedly based on Suicide's classic 1977 electro-punk anthem, "Ghost Rider", and it's this kind of clever, in-the-know, and hip pilfering that makes M.I.A. a darling in indie circles. The fact that she lined up Suicide's Martin Rev to play this track on a recent TV appearance lends even more credibility to her cause.

Ambitious musical lexicon aside, it's M.I.A.'s truly worldly outlook that makes "\/\/\Y/\" work so well, despite some slight mis-steps. She points the finger at international government politics, examines human rights, and critiques technology, but its all set to some amazing grooves and beats, so this album works both the mind and booty. Her considerable talents and wisdom are rare among pop stars, and M.I.A. challenges her audience, rather than placates. She is cause for great hope, and "\/\/\Y/\" is a true pop gem. (XL Recordings)

M.I.A. site

MIAspace

M.I.A. with Suicide's Martin Rev!

This is too cool...so M.I.A.'s new album, "/\/\/\ Y/\" features a song, "Born Free", that liberally borrows from Suicide's legendary "Ghost Rider" from 1977. That's fine and all. So she has good taste. Now, for her performance of said track on the Letterman show, she's enlisted Martin Rev himself to handle keyboards. Respect. Check this before the network has it pulled or some such nonsense.

"Kill Your Idols" DVD (director: S.A. Crary)

Tracing the history of the famous New York 'no wave' scene of the 70's up until it's supposed re-emergence in recent years, Crary and company manage to compile some interviews and footage of some pretty instrumental progenitors of the NY noise scene. Appearing here: Suicide's Martin Rev, Jim Sclavunos (who curiously details his early sexcapades with the notorious Lydia Lunch - why this was included is a mite suspect, but nonetheless it's an entertaining dialogue), Lydia, Glenn Branca, Arto Lindsey, Michael Gira, Jim Thirlwell, Lee Ranaldo and Thurston Moore. All of these sonic innovators contribute some 'been-there' thoughts and observations on what made this 'scene' so inspirational. And the old footage (though often rough and grainy) is amazing - particularly the early exorcisms of SWANS' classic noise-throb days. Talk about gutteral and abrasive. That was the serious shit - forget metal or punk.

But far from just a look at the past, 'Kill Your Idols' also spends a good amount of time examining some of the current wave of NY bands - Yeah Yeah Yeahs (Karen O seems pretty oblivious, honestly), Gogol Bordello, A.R.E. Weapons (parody or assholes?), Liars, Flux Information Sciences, and Black Dice. The comparisons between old wave and new wave here are very telling, and a bit alarming. Whereas Eugene Hutz of Gogol Bordello seems to have a firm grasp on what makes music and art unique, some of the others included here seem particularly clueless. A shame, but at least we have all the great records from the 'No New York' period to remember it all by, right? (Palm Pictures)

"The House Of The Rising Punk" DVD (director: Christian Dreher)

This 1998 documentary chronicles the early-mid 70's New York pre-punk music scene, told via a series of firsthand accounts from some of the great artists who helped to spawn it (Patti Smith, Tom Verlaine, Richard Hell, Jim Jarmusch, Alan Vega, Legs McNeil, etc.). Of course, this tale involves Hilly Kristal and his Bowery club, CBGB's, which gave these artists and others (Blondie, Talking Heads, Television, Suicide, Ramones, New York Dolls, Wayne/Jayne County, Stooges, etc.) a place to play and grow. 'Rising Punk' is brief (60 minutes), with no extra features, but it doesn't need more. There are tons of rare photos and film clips to illustrate the importance and relevance of New York's CBGB's scene, and it's relation to the 'punk' explosion in general. An excellent and informative look at a counterculture that was (at the time) untainted by commercial pressures or corporate marketing. Recommended for anyone wondering about the genesis of punk rock and alternative music in general. (ABC Entertainment via MVD Visual)

Alan Vega - "Station" CD

Wow, the legendary vocalist for NYC hellraisers Suicide is back with a scalding, scathing, and fiery album of fearsome grooves and sharp commentary on his homeland's social and political condition. The ominous knife on the cover says it all. Personally, I think Vega's work with Finnish minimalist electro-noise-sculptors Pan Sonic has been an inspiring move, as tracks like '13 Crosses 16 Blazin' Skulls' (my favorite cut here) are surgically-precise blasts of gut-level analogue rhythms boxes and blistering digital noise, with Vega's invective commentary legibly spoken/shouted on top. This is also a logical and faithful continuation of Vega's classic mid-70's work with Martin Rev as Suicide, all unhinged analogue electronics and madman yelps. In 'Devastated', Vega's proclamation of 'How's the future gonna play out for our kids!' is intense and proves that not all of us turn mellow and wishy-washy with age. 'Psychopatha' is a disturbingly funky urban nightmare set to industrial drums and hypnotic noise. Pretty intense and paranoia-inducing stuff, complete with Vega's raving maniac shouts and mutterings. As dangerous and experimental as anything in Vega's impressive 30-year back catalogue, 'Station' is tuned to the frequency of America circa 2008 A.D., on the edge of socio-economic collapse and growing consumer distrust. Vega's never been so necessary or relevant. (Blast First/Mute)