Lydia Lunch & Rowland S. Howard - "Shotgun Wedding" CD

Classic swamp-blues rock from some legends

This is an expanded, remastered reissue of Lunch & Howard's classic 1991 album, which in my book remains a linchpin of either artists' separate careers. In fact, I'd wager this to be Howard's finest work since his Birthday Party days. It's a shame he's not around to add to that fine legacy. Still, "Shotgun Wedding" is a swampy post-punk affair full of dark edges and seductive textures. J.G. Thirlwell's dry, raw production is perfect, capturing an essential tension and junkie back-alley sinew. In short, this is a great album.

Opening with the iconic and slithery "Burning Skulls", the album moves forward to a gloriously gloomy (and bluesy) cover of Led Zeppelin's "In My Time Of Dying". "What Is Memory" is a skeletal showcase for Howard's prickly, twangy guitar-work. "Pigeon Town" is another highlight, being a rowdy swamp-blues affair, again highlighted by Howard's tight guitar. The album's closer is quite possibly the pinnacle, being Alice Cooper's magnificent "Black Juju" -- a slithery, snake-like trance rock track that hits some intense and dynamic highs. Between Howard's potent riffs and Lunch's cynical, aggressive vocals, "Shotgun Wedding" is a marvelous and memorable dark-edged rock trip, and one that just gets better with age.

This reissue adds Lunch and Howard's fine studio cover of Lee Hazlewood's "Some Velvet Morning", as well as 5 live recordings of fair to bootleg quality. And although these bonus additions aren't quite up to the quality of the album itself, it's certainly worth a look for serious Lunch or Howard fans. 

Atavistic Records

Lydia Lunch dot com

Rowland Howard dot com

"Road Rant - A Week On The Road With Lydia Lunch" DVD (director: Merrill Aldighieri)

Lydia is unquestionably one of subversive rock's first ladies, having led no-wave progenitors Teenage Jesus And The Jerks and working alongside such names as Einsturzende Neubauten, Foetus, Swans, Sonic Youth, and the Birthday Party. She's done extensive work in music, film, and print, and deserves "legendary" status, for sure. This is a documentary of her 2007 French tour to promote her book, "Paradoxia", and it's a curious look at her persona onstage and off.

Swinging back-and-forth between Lydia's spoken cabaret performances and some travel and tour footage with bandmates Joe Budenholzer and Terry Edwards, "Road Rant" is a mixed bag. Lydia's usual confrontational dissection and dissertation on sexual politics is tiring and overdone. Where director Aldighieri succeeds is in showing Lydia "opening up" to more honest opinions and attitudes, outside of her public persona. She undoubtably has tons of stories to tell, and much insight. As it stands, "Road Rant" is an interesting look at Lydia Lunch, definitely worthy for fans but I don't think it's going to convince her detractors that she's much more than an aging punk rocker who's bitter about life. (MVD Visual)

Lydia's official website

Lydia Lunch - "The Gun Is Loaded" DVD (directors: Joe Tripician and Merrill Aldghieri)

Hmm. An 80s-era film starring Lydia that's not directed by Richard Kern. And wildly less-successful this one is, too. A surreal mix of stage monologue and documentary, "The Gun Is Loaded" basically allows Lunch to rant and rave at the state of the world, America, greed, sexism, and so on. To be honest, her shrill tirades grow weary quickly. With a backdrop of stage and streets, and with interspersed news footage, this film is a platform to exhibit Lunch's critical gripes and anger at the world around her. The soundtrack is the sole attraction here, being a subtle and fittingly dark score by Lunch's former partner J.G. Thirlwell (aka Foetus). I can't say I enjoyed this one much. And at a paltry 45 minutes, there's not much else to recommend. (MVD Visual)

Lydia's official site

J.G. Thirlwell - "The Venture Brothers - The Music Of J.G. Thirlwell" CD

It's kind of refreshing to see an uber-talented composer like Thirlwell getting some major exposure scoring this Adult Swim animated series. What some fans may not know is that he's been active for 30-ish years, recording weird industrial/big-band/soundtracks as Foetus and/or Steroid Maximus. Regardless of his past, this set of tunes from the several seasons of the 'Venture Brothers' series runs the gamut from feisty space-age lounge to tribal jungle swagger to swingin' hard-boiled spy thrillers ('Tuff') to tense classical ('13 BigMon/Boys As Transformers'). Thirlwell's been duly inspired by the music of Carl Stalling (think the original 'Looney Tunes'), as well as some far-out avante garde noise, so expect a lively, upbeat, and intensely visual set of tunes that bumps and grinds like Quentin Tarantino caught in a go-go bar after ingesting far too much peyote. 'Node Wrestling' is packed with gyrating funk -- and is almost humorous, it's so over the top. 'Damion' is a dark little gem worthy of a Tim Burton film. The charmingly-titled 'Assclamp!' is a frenzied bit of drum-and-bass techno with dramatic strings and brass. 'Warped Carousel' is just that - a scary surreal carnival trip. I could go on and on. Suffice to say, this is a wildly-diverse album with more thrills and chills than a rollercoaster. Wow. (Williams Street)

Foetus.org (Thirlwell's official site)

"Kill Your Idols" DVD (director: S.A. Crary)

Tracing the history of the famous New York 'no wave' scene of the 70's up until it's supposed re-emergence in recent years, Crary and company manage to compile some interviews and footage of some pretty instrumental progenitors of the NY noise scene. Appearing here: Suicide's Martin Rev, Jim Sclavunos (who curiously details his early sexcapades with the notorious Lydia Lunch - why this was included is a mite suspect, but nonetheless it's an entertaining dialogue), Lydia, Glenn Branca, Arto Lindsey, Michael Gira, Jim Thirlwell, Lee Ranaldo and Thurston Moore. All of these sonic innovators contribute some 'been-there' thoughts and observations on what made this 'scene' so inspirational. And the old footage (though often rough and grainy) is amazing - particularly the early exorcisms of SWANS' classic noise-throb days. Talk about gutteral and abrasive. That was the serious shit - forget metal or punk.

But far from just a look at the past, 'Kill Your Idols' also spends a good amount of time examining some of the current wave of NY bands - Yeah Yeah Yeahs (Karen O seems pretty oblivious, honestly), Gogol Bordello, A.R.E. Weapons (parody or assholes?), Liars, Flux Information Sciences, and Black Dice. The comparisons between old wave and new wave here are very telling, and a bit alarming. Whereas Eugene Hutz of Gogol Bordello seems to have a firm grasp on what makes music and art unique, some of the others included here seem particularly clueless. A shame, but at least we have all the great records from the 'No New York' period to remember it all by, right? (Palm Pictures)