Showing posts with label Nick Cave. Show all posts
Showing posts with label Nick Cave. Show all posts

Sunday, January 8, 2017

Nick Cave - “Maximum Nick Cave” CD

Shady audio biography, not music...

This unauthorized “CD-Audio-Biog” is basically a rather dated 55-minute narrated history of Cave’s career up until 2005 or so. There are several interview audio clips, with Cave himself here, but overall, this CD is a rather thin and unnecessary document that seems aimed at fooling Cave fans into unwitting/unwilling purchase.

The rather basic biography of Cave’s history is spoken by Sian Jones, whose voice recalls a British newscaster, and incidental music by Amanda Thompson are only slightly interesting. Jones’ gross mispronunciation of Einsturzende Neubauten is pretty awful, and this package’s lasting impact and replayability are quite limited.

Serious Nick Cave fans — pick this up only at a drastic discount, as there’s very little here to learn about the legendary songwriter and frontman.

Wednesday, August 1, 2012

"New Rides Of The Furious Swampriders" compilation CD


A curious compilation here, arranged by German label Sireena Records, and the 4th in a series. Based on the inspiration of "swamp rock" and the Gun Club, the artists here pay homage to this influence, and it's pretty well a fun listen through and through.

Notables included here are Deborah Harry (with Chris Stein and Jeffrey Lee Pierce), Sixteen Horsepower, Lydia Lunch (with Dave Alvin and Kid Congo Powers), the Raymen, the Walkabouts, and a weird folky cover of Depeche Mode's "Enjoy The Silence" by German group M.Walking On The Water. A handful of mostly German groups round out the 14-track set, and, surprisingly, it's a pretty well cohesive set of darkly soulful swamp blues rockers. Jeffrey Lee Pierce would be proud of his "children" and friends here. (Sireena Records)

Friday, February 26, 2010

Shane MacGowan, Johnny Depp, Nick Cave, and friends...

Here's something cool deserving of some attention. To help benefit the victims of Haiti's massive earthquake, Pogues leader Shane MacGowan rounded up some of his high-profile friends, including Johnny Depp, Nick Cave, Bobby Gillespie (Primal Scream), Glen Matlock (Sex Pistols), Chrissie Hynde (Pretenders), and Mick Jones (The Clash), to cover the great 1956 Screamin' Jay Hawkins track, "I Put A Spell On You". It's a lovely and faithful rendition, I'm sure you'll agree. The song will be released as a downloadable mp3 soon, as well. Check the video for details.

Monday, September 7, 2009

"The Cat Piano" (directors: Eddie White and Ari Gibson)

Something rather interesting here, and unlikely to make it to America anytime soon. Meantime, you can watch the whole award-winning short film here, as a gift from directors Eddie White and Ari Gibson, two Australian filmmakers who somehow got a certain Mr. Cave to narrate a poem by White...

The Cat Piano from PRA on Vimeo.



For further info on "The Cat Piano", visit their site here.

Sunday, April 6, 2008

Andrew Dominik - "The Assassination Of Jesse James By The Coward Robert Ford"


A surprisingly subtle and well-scripted (though long-winded) film from New Zealand-born director Andrew Dominik (who's only past film credit prior was the seldom-seen 'Chopper', which I've never seen, though I do own Bad Seed Mick Harvey's soundtrack (on his 'Motion Picture Music 1994-2005' CD). Starring tabloid-hog Brad Pitt as the outlaw Jesse James, and Casey 'the other' Affleck as obsessive man-child Robert Ford, 'Assassination' is a strikingly artful portrayal of one man's failure to connect with his heroes, and his jealousy at those around him. Ford is shown as a needy and immature 20 year-old, and one who's not all too likeable or trustworthy. In fact, to put it bluntly, he's a miserable sniveling little prick. Pitt's Jesse James, on the other hand, seems a fair and likeable kind of guy, despite his being a murderer and feared robber. A top-notch supporting cast (Sam Rockwell, Sam Shepard, Mary Louise-Parker, Zooey Deschanel) certainly helps, too, and the cinematography is quite artful, with plenty of soft and fisheye camera views (kind of confusing and unnecessary, but tasteful nonetheless) and wide landscapes. At 2.5 hours, it's a wee bit long, but still an engrossing and memorable viewing experience. And, I can't neglect to mention that one Nick Cave appears in the film, (appropriately enough, singing in a bar), and his score (with Warren Ellis) is superbly crafted and fittingly minimal, echoing the whispery, dusky vibes of the old West. Worthy of the accolades and awards it's been granted. Watch the trailer here.