Showing posts with label Jah Wobble. Show all posts
Showing posts with label Jah Wobble. Show all posts

Wednesday, May 8, 2013

Jah Wobble and Keith Levene - "Yin & Yang" CD


A reunion of alumni from classic-era Public Image Limited, "Yin & Yang" is a definite harkening back to those great days of dub-influenced post-punk. The title track features huge Wobbly bass and Levene's dissonant guitars -- all that's missing are vocals by Lydon and it's virtually classic PIL, which is quite nice to hear. Wobble's vocals are adequate, but it's the music here that speaks loudest.

After a rather forgettable rock/dub crossover ("Strut"), the sharp spoken invectives and near-familiar bass of "Jags & Staffs" recalls "Religion" to some degree. "Mississippi" is an effective down-home pop song with a carefree Americana vibe (though Wobble's sub-sonic bass is still present), and "Fluid" touches on a dub/jazz fusion, with big brass alongside Wobble's stalwart bass. The brief dub of "Vampires" features Little Annie, before "Understand" and "Understand Dub" close things out, with spiky vocals from Nathan Maverick (who I'm not familiar with, but whose vocal style sounds eerily similar to Lydon). 

Wobble and Levene form a formidable post-punk duo here, and here's to hoping they can continue on this path if there are to be future endeavors. 

Cherry Red/30Hz Records



Saturday, November 22, 2008

The Damage Manual "The Damage Manual" DVD


When Martin Atkins enlisted the considerable talents (not to mention pedigrees) of Jah Wobble (PIL), Geordie Walker (Killing Joke), and Chris Connelly for his Damage Manual project, the result was a startlingly powerful EP. What followed was a lesser LP, then a slew of remixes, dub versions, and recycled releases that really put some tarnish on this landmark post-punk 'band''s "public image".
This video is a collection of Atkins' handi-cam tapes from the original sessions. There's what seems like an endless array of in-studio footage, from raw takes, horsing around (leave the damned doorbell buzzer cam alone already!!), photo shoots, Geordie smoking, and unrecognizably muttered comments. Needless to say, regardless of anyone's involvement, this is a fairly tedious watch. Plenty of bored faces, people shuffling about, and unsteady camerawork. Granted, the couple of tracks that the band plays live in the studio are heavy and amazing (what an amazing collision of musicians), but overall this is one for the completists only, and much of it should've stayed in the vault. (Invisible Records /MVD Visual)