
Oakland, California-based drone/tone composer Kowalsky here shows a tremendous shift from his previous Kranky release, moving fully from the digital domain to purely-analogue sources. 'Tape Chants' utilizes cassette players, tape loops, oscillators, and acoustic recordings, and the hazy, gauzy sounds here are prime ambient material -- overall fairly static and (to jaded ears like mine) really quite relaxing and meditational. 'VI-VII' almost approaches a rhythmic direction, as several pitched pulse-tones (or loops) are layered together to create a rudimentary structure. 'IX' uses effected piano alongside lo-fi noises to evoke a mood of solemn nostalgia -- like a musty old photograph. The closer, 'X-XI' is closer to the noise of a furnace, insistent and jaggedly abrasive. Overall, 'Tape Chants' proves to be a curious and challenging experiment for Kowalsky, of which I'd expect greater fruits in the future. (Kranky)
Gregg Kowalsky website
Kowalskyspace
Very cool.
ReplyDeleteThanks.
Your readers may enjoy stuff over at my place as well...
http://penmallet.blogspot.com/